Interview // The RAPTURE
Interview // The RAPTURE
Interview // BEST COAST (#2)
Interview // BEST COAST (#2)
Gratuitous Burger Post
Gratuitous Burger Post
Diplo Gets His Vogue On
Diplo Gets His Vogue On
Beyoncé - 4
We swear this isn't an ironic listening. We love Beyoncé and 4. OK, we might unironically skip straight to track 5, 'Party', produced by Kanye West and with rap by Andre3000, because we ain't no stay-home-mums that need all those ballads about being broken hearted and finding the right person. But, after that, the album turns into a beautiful compilation of classic r'n'b, soul and a bit of sweat-inducing booty tracks - not too many though - that sound surprisingly courageous considering the actual state of pop music. And for that, we bow down and hail Queen B. P.S. Get the deluxe version, for those extra couple of amazing tracks.
Bassike
The name of this label has been interpreted in many ways; from 'bass-seekey' to 'base-ike', but the correct way describes exactly what this label is about: BASIC. Bassike delivers easily breezily cut staples with an interesting little twist that keeps them from being your run of the mill. For those that live in climates like that of Australia (where Bassike hails from) or Brazil, you'll know how easy it is to make fashion faux pas when the weather gets hot and the prospect of wearing anything but a bathing suit becomes slightly unappealing; Bassike is all and everything you need.
Game of Thrones
Before watching HBO's Game of Thrones, I assumed the series would tend a bit more towards the blood-dripping Danish movie Valhalla Rising rather than fairy-tale stories a lá 'Lord of the Rings'; and for that I didn't really like the series at the beginning. But slowly, I found myself submitting to tales of bad kings, midget juggernauts, savage warriors and... dragons. And that happened probably because there aren't exactly good guys and bad guys here, like there are in Tolkien stories - and that is, of course, a simplification of his work. Another reason I relented to this series is because of the intriguing political backstage element that leads to the ever-happening dance of thrones. Oh, and did I mention the gratuitous nekkid-ness?
The Norfolk // Sydney, Australia
Of the slew of new spots having opened up in Sydney in the last six months, The Norfolk on Cleveland St in Surry Hills has been one fated with success. Owned by some of the same kids that have brought The Flinders back to life (and currently, it's incredibly quick onset of 'The Norms'), you'll undoubtedly find The Norfolk rammed with all kinds, vying for a bite, a beer and a spot in the garden out back. The aim of the game is to cultivate Aussie pub culture at it's best; and it's doing a pretty decent job so far - if only you could get a table!
Super Sad True Love Story
Super Sad True Love Story is the third book from the writer of the best selling Absurdistan, Gary Shteyngart. Incidentally, I read him name dropped in Flavorpill's Ultimate Hipster Reading list and in the same sentence as James Franco (they're buds, apaprently) just before I finished his latest offering. Don't let any of that put you off, or take away any of the sad scary brilliance of Super Sad True Love Story; written from the perspective of one 39 year old Lenny Abramov, son of Russian immigrants and in love with the impossibly cute and cruel Eunice Park. A satire that cuts to the bone, Super Sad True Love Story is exactly it's title. And it's good.
Interview // LITTLE DRAGON
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HIYA // Yukimi

photographs by Mads Tegler

 

It was the crack of dawn this side of the globe. I swear, I was struggling so hard to emerge from still being in the depths of dreamland that I was slurring my words. By the time Yukimi Nagano of Little Dragon greeted me on the line from London, we were on opposite ends on the spectrum of sleepiness as she put it. Thankfully, playback revealed her responses to be as candid and thoughtful as I'd hoped, in spite of my fogginess.

 

Mid 2011 sees Little Dragon finally enjoying the kind of boom in popularity that they deserved in the wake of a plethora of high profile collaborations (with the likes of Gorillaz, Maximum Balloon, Raphael Saadiq, DJ Shadow and the superb SBTRKT) as well as the release of their third album, Ritual Union . There aren't that many bands gigging right now that sound like Little Dragon do; with ability like they possess, nor a work ethic like they quietly go about with.

 

Their journey to this point has been the old fashioned way: with lots of gigs and lots of hard work, and their recent success hasn't been a surprise or out of the blue - and they don't pretend it is either, like some other 'break-out bands' often make it out to be. Perhaps it's because they're not teenagers. Perhaps it's because they've been around as a band for about fifteen years. Perhaps it's because they're Swedish. Perhaps it's because they don't really care about too much else except making music that makes them feel good.

 

Brush the Heat by Little Dragon illustrated by Yusuke Nagano

 

I'm pretty sleepy to be honest. It's pretty early in the morning here in Sydney - where do you happen to be right now?

YUKIMI: I'm in London right now and it's pretty late, so we happen to be on different spectrums of sleepiness.
 

Can you talk a little bit about Ritual Union? It feels like the most 'pop' album you've done so far in lots of ways, and the most experimental in some others (like in the instrumentation which I feel is your trademark), though melodically and genre-wise, you can vary so much. What were you aiming for on this album?

YUKIMI: Well I think basically we were aiming for making music that felt kinda fresh for us. Usually we go into the studio without any kind of plan and it's just more about capturing moments and trying stuff and experimenting and moving more with just intuition than anything else, I guess. Not necessarily wanting to make a record like what we made before, just looking for something that feels new.

 

I think that Machine Dreams had a thicker sound. It had a lot of layers and synthesisers; I guess in a way, Ritual Union has a more minimal vibe to it. There are a lot of songs there that are live drums based and just sort of with basic drums, bass and some synthesisers on top of it - and a vocal. I definitely think there's a poppier vibe but still with dreamy elements. It's nothing that we really plan out. Just going with what happens in the studio.

 

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I really love how natural and organic your approach to creating music is. Being such proficient and prolific musicians, how is it that you guys keep challenging yourselves?

YUKIMI: Well we love finding music that feels fresh to us, different. I think we've been influenced by so many different styles of music, and we still are, obviously, and I think it's just about being open. I think we all love music that has a psychedelic vibe to it where it can kind of take you away somehow. Whether it's a beat that has that effect, where you feel like you can listen to it forever, or if it's more of a soundscape where you can sort of escape inside your headphones to or whatever.

 

When you get pulled into the music when you're jamming, we wanna make music that feels fresh and inspiring. But when we're there and making it, we don't think of it. It's about intuition. You don't know why and you don't consider why you like it. It's a feeling. You might not realise til afterwards.

 

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Can you tell me a little bit more about the title of the album and the lead single? Judging from the phrase, a 'ritual union' seems to me a very reverent, respectful way of describing well, sexy things. Can you give me some meaning to that?

YUKIMI: Well, I mean it's a song that's kind of challenging the emotion of wanting to be with someone for the rest of your life. They're the sort of emotions that most of us can relate to and have had at some point in out lives. I think we get fed so much this picture of love that is something fluffy and beautiful, like you know, american romantic comedy where it's sort of like, that feeling that you want to be with that person forever, but you never get to here the rest of the story.

 

Pretty much everyone I know has some sort of divorce in their background. People aren't getting married any less, I think it's still something people do and want very much. It's not a way that I think everyone necessarily celebrates love. But it's something that I wanted to write about; the skepticism of that.

 

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It was a really beautiful, delicate way of putting something so big in everyone's lives. So what scares you the most about the music industry?

YUKIMI: What scares me sometimes is that maybe some people aren't as curious about music. They just eat up this music that they are fed from like, the radio or wherever that to me, kinda feels fabricated. I mean, I love pop music in many ways, actually I love a lot of music that is extremely commercial as well as the opposite; I mean, I don't think commercial music is necessarily bad music because it can be really phat you know?

I guess you're talking more about people's consumption of it rather than the actual music?

YUKIMI: Right! Yeah I guess maybe people just sort of…stop…maybe more on the industry side. The more 'bribing' part of big record labels who know how to get what they want to get their artists played on the radio. And that can sometimes be annoying and frustrating!

 

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Do you guys ever feel self conscious about your image or maybe yourselves overall, even at this stage in the game? Especially compared to all these really highly and often ridiculously overproduced artists that are out there...

YUKIMI: Absolutely! You feel conscious of what you do and how you sound and look. And you compare yourself, but I think in a good way. I think something that we've grown to learn is that it's good that we have a lot of different music out there. It's a good thing. One of the other things with the commercial side of stuff is that, a lot of it sounds really alike, but for us, it's about feeling confident about who you are.

 

Not everyone's gonna like your music but you don't have to feel devastated about it. Some people are gonna love it, some will think it's just okay, some are only gonna like that one song… Everyone's different but you don't have to take that personally. Absolutely we feel self conscious, but at the same time we have to be self confident about who we are and be okay with that.

 

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Who do you admire in music at the moment? Like, who do you think is doing cool things or is presenting themselves in a cool way?

YUKIMI: Um well I definitely like Ariel Pink, I love Haunted Graffiti, I think it's beautiful and it's one of my favourites form last year. I liked Caribou's album a lot, I thought it was a really good dance album. I'm definitely liking the energy of Odd Future, even though I'm not crazy about their music, I think they're kids who are just being themselves, as well as being their friends. I like everything from Eno to like, Drake.

 

BONUS - check Yukimi's latest cameo on DJ Shadow's piano and drum driven 'Scale It Back' before peeping the full picture gallery below that:

 

Scale It Back by DJ Shadow ft Yukimi Nagano

 

 

GALLERY
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Comments // 2
B-Boy Rock-Star
B-Boy Rock-Star
Wednesday // September 14, 2011 at 19:17 // #1
My infatuation with Yukimi Nagano iz UNRIVALED... Since hearing her angelic harmoniez on the Gorillaz amazein' track "Empire Ants" (my all-time favorite song ever); I've been in love... To me she iz ONE OF A KIND... Her voice iz like a warm breeze on a dark summer night & her beauty iz ONLY parallel to a pristine sunrise on a sea 'z shore... Whenever I think of Little Dragon, thoughtz of consciouz memoriez, dark fantasiez & unbridled passion fill my mind before a splendid euphoria... So... I'd like to thank Erik Bodin, Fredrik Wallin & Håkan Wirenstrand for producein' such awesome & compellin' backgroundz to fit Ms. Nagano'z astoundin' lyrical prowess... Az-Well-Az... Koop for "Whenever There Is You", Shuya Okino for "Pieces Of You", Geo-ology for "Blues Alley" & (last but not least) Christel for thiz very entertainin' post... Yeah... I know what you're thinkin'... But... No, I'm NoT SoMe CrAzY PeRsOn... !!! I'm just a crazy fan... J/K, LOL
Christel Escosa
Christel Escosa
Wednesday // September 15, 2011 at 00:02 // #2
You're welcome, you CrAzY PeRsOn/crazy fan, you.
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