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Interview // The RAPTURE
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Interview // BEST COAST (#2)
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Diplo Gets His Vogue On
Diplo Gets His Vogue On
Diplo gets his Vogue on
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HIYA // Wes and MikeQ

 

So aside from the terribly old news of his contribution to taking the third world to the first, Diplo is now trés mode with such first world accoutrements as GQ and Vanity Fair (though it pains me somewhat to identify him as 'that 'Paperplanes' dude – guys, for me, that was a totally mediocre tune. Go listen to some of his less lamestreamed stuff). In fact, he's actually a columnist at the latter. Diplo's latest column exploits a night out at Vogue Knights Tuesdays – and I don't mean the rival magazine kind.

 

I'm kinda fuming – just a little – out of jealousy, here. A Vogue Ball/Night was one thing I really had trouble trying to get a hold of last time I was in NY. Like most people who see the film, ever since I encountered Paris Is Burning, the Vogue Ball scene and culture has held great fascination for me. Earlier this year, I met father of the House of Ninja, Benny Ninja, survivor of the legendary Willi Ninja when he hit the runway in Sydney for Australian Fashion Week (I squealed when he glided out) and that only fueled my desire to get my Cindarella on and be at a damn ball.

 

Anyway Diplo, despite his modest claims of not knowing a lot about being black/gay/cool, having gleaned all his knowledge of that particular Bermuda from DJ MikeQ and Maluca, was the white/straight/'uncool' guy, perfect to go to a vogue ball in Manhattan a little while ago. Documented by Vanity Fair contributor Shane McCauley, Diplo takes us through his Knight on a Vogue Tuesdays (though unfortunately, the exact location and club isn't disclosed, except that it's right next to the Comfort Inn somewhere in Midtown, amongst a bunch of emtpy warehouses. Respect though, it'd not only get shit if that littled secret got outed online at Vanity Fair, but it'd probably have already moved on anyway by the time anyone hauled ass over there).

 

Check some of Shane McCauley's pics from the story below and in the gallery, but head over to Vanity Fair for Diplo's full commentary (or full MikeQ plug, as it were, scene aggregator extraordinaire that he is). And you should also totally read Julianne Escobedo Shepherd and Krisanne Johnson's story on NY's next gen Vogue scene for The Fader too, from earlier this year.

 

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"...what makes a good party isn’t the fashion, the clientele, the hipness of “D.J. current hit,” or the club’s interior. They see that a really good club is built by the community, and that a community breeds the creativity in the music and the dance. You’d think that, on first look, when the dance competition starts, that these guys hate each other. The new-school vogue style is built on a lot of hair whipping (if you have the extensions or real thing — Willow Smith’s song got played a lot in different forms) and a lot of falling down backward on the offbeat. This part of the dance is amazing. It seems the more violent the hair whipping and the falling, the crazier the crowd goes." – Diplo

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"...always, the weird scream/snare on the fourth beat is used to precision. It’s the sound that you might hear in Psycho, when Janet Leigh is being stabbed to death in the shower. It’s the sound that all the dancers mark to do a special move: an enormous fall, a deadly hair whip, and hip-dislocating side thrust. Or many other very violent moves that would not be allowed on So You Think You Can Dance." – Diplo

[Ed's note:True, no pure Voguer has ever reached Top 20 on SYTYCD – trust, I know. And they haven't yet exhibited actual Vogue style as a number on the show. YEAH, I'm a fan, haters to the left.]

 

GALLERY
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