Lady Alpha Passion Bits refers not only to a mash up of Alphabeat and Passion Pit who did the 'Telephone' remixes in this post, but also I suppose, a little bit of what Lady Gags kinda presents: an Alpha[beat] bitch, [Passion]ate about her work who's Bits are under speculation.
The very first time I encountered 'Telephone' was sometime late last year. It wasn't actually the single - it was this version below (I couldn't find the original poster/video, but here it is anyway).
Even in this form, it's sticky as shit to your shoe.
I don't look out for Gaga or go out of my way to check her, because stuff from and about her tends to smack you in the face anyway - GIRL IS EVERYWHERE (and suffering from exhaustion as you undoubtedly would be). When 'Telephone' assaulted my senses, I was floored by it's ambition and ridiculousness.
'Telephone' has been analysed, blogged and screen capped to mega-deth; and begrudgingly, understandably so, just like 'Bad Romance' was. And yet I also find these two remixes of the track fun and hair flicky enough to post. I sort of don't feel like I have that much perspective on Lady Gags; I'm a bit confused myself as to how I actually consume her/music/product/persona/poo cakes.
Either way.
Alphabeat's remix goes between a typical dance club track to a Pussycat Doll-ish segment during Beyoncé's breakdown (which I really enjoy) to taking on a touch of Robert Miles. Really not bad at all Alphabeat.
Passion Pit's retouch immediately made me question whether I'd misunderstood who had actually remixed it. Passion Pit, dat really chu? It was more interesting to me that this was a Passion Pit product rather than anything else, in this super dancey late 90s feeling remix, though it's still pretty bangin' as well.
I get the Madonna comparisons and all, but I really think that Gags is going to end up much more like a Cher figure/character rather than Madge-y one, y'know? What do you think?


















