Interview // The RAPTURE
Interview // The RAPTURE
Interview // BEST COAST (#2)
Interview // BEST COAST (#2)
Gratuitous Burger Post
Gratuitous Burger Post
Diplo Gets His Vogue On
Diplo Gets His Vogue On
Beyoncé - 4
We swear this isn't an ironic listening. We love Beyoncé and 4. OK, we might unironically skip straight to track 5, 'Party', produced by Kanye West and with rap by Andre3000, because we ain't no stay-home-mums that need all those ballads about being broken hearted and finding the right person. But, after that, the album turns into a beautiful compilation of classic r'n'b, soul and a bit of sweat-inducing booty tracks - not too many though - that sound surprisingly courageous considering the actual state of pop music. And for that, we bow down and hail Queen B. P.S. Get the deluxe version, for those extra couple of amazing tracks.
Bassike
The name of this label has been interpreted in many ways; from 'bass-seekey' to 'base-ike', but the correct way describes exactly what this label is about: BASIC. Bassike delivers easily breezily cut staples with an interesting little twist that keeps them from being your run of the mill. For those that live in climates like that of Australia (where Bassike hails from) or Brazil, you'll know how easy it is to make fashion faux pas when the weather gets hot and the prospect of wearing anything but a bathing suit becomes slightly unappealing; Bassike is all and everything you need.
Game of Thrones
Before watching HBO's Game of Thrones, I assumed the series would tend a bit more towards the blood-dripping Danish movie Valhalla Rising rather than fairy-tale stories a lá 'Lord of the Rings'; and for that I didn't really like the series at the beginning. But slowly, I found myself submitting to tales of bad kings, midget juggernauts, savage warriors and... dragons. And that happened probably because there aren't exactly good guys and bad guys here, like there are in Tolkien stories - and that is, of course, a simplification of his work. Another reason I relented to this series is because of the intriguing political backstage element that leads to the ever-happening dance of thrones. Oh, and did I mention the gratuitous nekkid-ness?
The Norfolk // Sydney, Australia
Of the slew of new spots having opened up in Sydney in the last six months, The Norfolk on Cleveland St in Surry Hills has been one fated with success. Owned by some of the same kids that have brought The Flinders back to life (and currently, it's incredibly quick onset of 'The Norms'), you'll undoubtedly find The Norfolk rammed with all kinds, vying for a bite, a beer and a spot in the garden out back. The aim of the game is to cultivate Aussie pub culture at it's best; and it's doing a pretty decent job so far - if only you could get a table!
Super Sad True Love Story
Super Sad True Love Story is the third book from the writer of the best selling Absurdistan, Gary Shteyngart. Incidentally, I read him name dropped in Flavorpill's Ultimate Hipster Reading list and in the same sentence as James Franco (they're buds, apaprently) just before I finished his latest offering. Don't let any of that put you off, or take away any of the sad scary brilliance of Super Sad True Love Story; written from the perspective of one 39 year old Lenny Abramov, son of Russian immigrants and in love with the impossibly cute and cruel Eunice Park. A satire that cuts to the bone, Super Sad True Love Story is exactly it's title. And it's good.
Posts tagged with sao_paulo
Interview // The Rapture

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All images and media via Popload

 

'How Deep Is Your Love' is a song title claimed by multiple bands. Most recently, The Rapture took it for the lead single from their latest album In The Grace Of Your Love. Its a fun fact to note that self-proclaimed bad boys of late 90s R&B, Dru Hill (which also happens to be a park in Baltimore that the band are named after) also lay ownership to the song title. "Sisqó and I are from the same state," Gabriel Andruzzi, the band's multi-instrumentalist (and the best goddamn cow-bell dinger I've ever seen) announces. "And actually, I was at dinner next to Dru Hill two nights ago." 

 

Last night they played the newest shiniest jewel in São Paulo's venues, Cine Joia. And now seems the perfect time to share the interview we did with Gabe, where he shares his thoughts on Sisqó, frustration surrounding the bands evolution and what he's going to do about being scared shitless to be one of those ageing rocker bros.

 

Since the unexpected announcement of the release of another album, it's been well documented that The Rapture have spent the past few years getting through and getting over lots of stuff. Births, deaths, break-ups, make-ups and finally, an album produced by Philippe Zdar that deals with it all. 'It all' being any number of the hurts and resentments that happened which in turn, enabled the band to find some redemption and acceptance enough to make an album themed with that very process. It's been greeted critically with mixed reviews, but regardless of what people think, the boys are happy with the record. And so they should be.

 

Interview after the jump ----->>>

MTV CK ONE Brazil // ft Sky Ferreira

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There was plenty going on in São Paulo last Tuesday night, amongst which was MTV's CK One Party, featuring none other than CK One poster girl, Sky Ferreira. Open bar aside, I was curious to see Sky in real life. Because even with her fame/notoriety and papp-ability, her music career never really quite happened. Considering her myspace/Michael Jackson hype, her epic record deal signing and the truckloads of money that was thrown at her (and subsequently, squandered by her), the fruits of her talent have yet to appear. Unless you call an oversexualised, over-hyped and eventual flop of a video that looks more like a make-up advertorial, a fruit.

 

One by Sky Ferreira

 

Not that a million plus views are anything to be sniffed at; but when at least that much was spent making an album that was never released, the value of it has to be questioned. And not saying either, that Sky isn't a hard worker (I have no idea whether she is or not), or that any of it is her fault.

 

I'm Just Saying.

 

Anyway, so the music didn't quite happen for Sky; but fashion on the other hand, has always loved her. And girl sure can work a camera angle, as is evidenced with her burgeoning career as a model allowing her to showcase her music somewhat. But in spite of all that: Sky Ferreira can actually sing. And I was curious to see her in the flesh.

 

With MTV's gorgeous Gaía Passarelli and DJ duo Database on the decks, as well as Brazil's own Copacabana Club in support, Sky came onstage superbly late. She looked more than a little dead-eyed, though with freshly straightened and possibly touched up roots. She did a few unmemorable songs with an acoustic guitar played by her boyfriend (so I was told) before singing to a backing track a number of songs including the very CK appropriate, 'One'. But she could definitely carry a tune. And work a diva hand. What more does a pretty girl need?

 

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Here are some pics of the sets, first up with Copacabana Club, then Sky:


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FESTIVAL // Planeta Terra 2010, São Paulo, Brazil
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HIYA: We // R \\ at Planeta Terra 2010

 

After failing to wrangle press credentials to Brazil's premier 'indie' music festival, Planeta Terra, we had to try other routes to get to Sao Paulo's Playcenter (an amusement park). Thankfully, by the grace of our very good friends Flavia Durante, Hector Lima, Dago Donato and with a special big thank you to of Montreal's Bryan Poole, we received our golden tickets and entry to one of the most organised, punctual and civilised festivals I've ever been to.

 

Though for a brief moment I did feel rather like a second class citizen, as men and women were split into two queues to go through security as only girl on girl and boy on boy pat downs are allowed. The girls queue took forever and I fumed silently as all the boys just kept streaming past. For this, I should have at least tried to smuggle some verboten substances through the gates. Unlike airport security, they didn't ask me to take off my shoes (I wore my 4 inch wedge platforms. What? That extra 4 inches helps when you're standing in a crowd a billion people deep), so I might've succeded with a secret shelf inside my platform. Still there was the whiff of weed in the air and a discreet little baggie or two to be seen.

 

Because speaking of which, undoubtedly one of the main reasons for the civility of Planeta Terra is that there's a law (here's where my facts get hazy - Brazilians, if you know, holler at us) in São Paulo that says something like: if you have more than x amount of people in a venue, beer is the only alcohol allowed to be sold. The pros and cons are obvious, but it's in this way that you get an altogether generally more chilled and polite crowd of people ambling between the two stages and lining up for rollercoasters, bumper cars and tower of terror type rides.

 

We didn't manage to hop onto any rides unfortunately, as priority was to run between very prompt sets on opposite ends of the park. Our schedule went something like this:

 

of Montreal

Yeasayer

Passion Pit

Phoenix

Hot Chip

and Empire of the Sun


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Of Montreal // HIYA Kevin! WE LOVE YOU!

 

It's a given that Of Montreal were magnificent, with a beautiful pink sunset decorating stage left, it was a glorious way for the festival to open. We are of the opinion that they should have closed the Indie stage instead of opening the mainstage, but whatever, we were just very happy to see them at all.

 

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Of Montreal // the epic proportions of the main stage

 

We scooted over to Yeasayer next. The last time I saw Yeasayer play was back in early 2008 in London. They were just really starting to break at the time; and despite thoroughly enjoying the set, I remember being a little disappointed at how much of it was playback. This time around though, they've swapped out a couple of members and have additional musicians looking after beats, electronica and percussiony type details.

 

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Yeasayer // HIYA Anand

 

They played really great gig, wherein they also pulled out a lot of favorites from All Hour Cymbals. Vocalist Chris made a 'Hello Buenos Aires' faux pas, but did manage to make up for it by at least attempting to speak some Portuguese (thanks to his Brazilian wife, we're guessing).

 

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Yeasayer // the indie stage, next to a Castelo de Horrores

 

We hung around for Passion Pit and Michael's heavily filtered vocals and jumped ship mid-way through the set to catch Phoenix (though to be honest, as solid performances as both did, I kinda wished I could see PS 22 do their renditions of the bands instead).

 

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Passion Pit // Hiya Michael

 

Despite the rumor milling churning São Paulo into a frenzy over an alleged appearance by Daft Punk with Phoenix at the festival due to supposed appearances by Guy-Manuel de Homem-Christo and Thomas Bangalter at various hot spots around the city, we cynical unbelievers also left mid-way through Phoenix's set to catch a breather, a piss and another beer.

 

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The Castle of Horrors next to the Indie stage

 

By then, Hot Chip were up and man, were they so impressive. They were probably my favourite act of the day; with that fabulous live steel drum action and Alexis Taylor's vocal warming me from the ends of my (very long) pony tail to the bottom of my platformed feet.

 

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Hot Chip // Hiya Alexis

 

And last band of the night for us was arguably the most controversial act of the day, Empire of the Sun. Sure it was odd that for a synth pop band, there wasn't a synth to be seen on stage, and sure a helluva lot of it was playback, but I really enjoyed the showmanship of the performance. Some new songs were debuted and we weren't particularly impressed compared to those tracks from Walking On A Dream, but it was a fun spectacle to watch and listen to none-the-less, closing with a guitar smashing finale.

 

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Empire of the Sun // Hiya Luke

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It was, all in all, an excellent day and a festival that was well planned, polite and polished; though I guess all that makes it sound the opposite of what a traditional festival should be, really. In reality, they can be quite an ordeal, especially when music is actually the last thing on most people's minds and the festival is instead simply an exercise for a wretchedly wasted, hot-tranny-mess of a time. Which is fun too, but I was super happy to be able to hang my platforms up at the end of the day well satisfied at the whole event. Congratulations for a festival well done, São Paulo! Now on to the next one...

 

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