Beyoncé - 4
We swear this isn't an ironic listening. We love Beyoncé and 4. OK, we might unironically skip straight to track 5, 'Party', produced by Kanye West and with rap by Andre3000, because we ain't no stay-home-mums that need all those ballads about being broken hearted and finding the right person. But, after that, the album turns into a beautiful compilation of classic r'n'b, soul and a bit of sweat-inducing booty tracks - not too many though - that sound surprisingly courageous considering the actual state of pop music. And for that, we bow down and hail Queen B. P.S. Get the deluxe version, for those extra couple of amazing tracks.
The name of this label has been interpreted in many ways; from 'bass-seekey' to 'base-ike', but the correct way describes exactly what this label is about: BASIC. Bassike delivers easily breezily cut staples with an interesting little twist that keeps them from being your run of the mill. For those that live in climates like that of Australia (where Bassike hails from) or Brazil, you'll know how easy it is to make fashion faux pas when the weather gets hot and the prospect of wearing anything but a bathing suit becomes slightly unappealing; Bassike is all and everything you need.
Game of Thrones
Before watching HBO's Game of Thrones, I assumed the series would tend a bit more towards the blood-dripping Danish movie Valhalla Rising rather than fairy-tale stories a lá 'Lord of the Rings'; and for that I didn't really like the series at the beginning. But slowly, I found myself submitting to tales of bad kings, midget juggernauts, savage warriors and... dragons. And that happened probably because there aren't exactly good guys and bad guys here, like there are in Tolkien stories - and that is, of course, a simplification of his work. Another reason I relented to this series is because of the intriguing political backstage element that leads to the ever-happening dance of thrones. Oh, and did I mention the gratuitous nekkid-ness?
The Norfolk // Sydney, Australia
Of the slew of new spots having opened up in Sydney in the last six months, The Norfolk on Cleveland St in Surry Hills has been one fated with success. Owned by some of the same kids that have brought The Flinders back to life (and currently, it's incredibly quick onset of 'The Norms'), you'll undoubtedly find The Norfolk rammed with all kinds, vying for a bite, a beer and a spot in the garden out back. The aim of the game is to cultivate Aussie pub culture at it's best; and it's doing a pretty decent job so far - if only you could get a table!
Super Sad True Love Story
Super Sad True Love Story is the third book from the writer of the best selling Absurdistan, Gary Shteyngart. Incidentally, I read him name dropped in Flavorpill's Ultimate Hipster Reading list and in the same sentence as James Franco (they're buds, apaprently) just before I finished his latest offering. Don't let any of that put you off, or take away any of the sad scary brilliance of Super Sad True Love Story; written from the perspective of one 39 year old Lenny Abramov, son of Russian immigrants and in love with the impossibly cute and cruel Eunice Park. A satire that cuts to the bone, Super Sad True Love Story is exactly it's title. And it's good.
Posts tagged with solange_knowles
Theophilus is Flying Overseas



And Theophilus London certainly is. He says that: "This song is about a kid from Brooklyn having dreams of jetting off to an exotic land with a loved one. I want to inspire kids to travel. Traveling inspires my music the most. It has inspired the entire album I just finished writing."


When we met Theophilus whilst he was in Brazil earlier this year, he hinted that he was going topless on one of his single covers. And there it is above. With shades ON, of course.


Anyways, this is his new jam! It doesn't necessarily scream 'single', but it's a gorgeous track nonetheless. Entitled 'Flying Overseas', it's got sexy time bass and sweetly flirting top end synths, enriched with Dev Hynes producing and also pulling backing vocals whilst Solange Knowles contributes her pipes as the cherry on top of the whole lush concoction. Get your headphones on and groove to this one, baby.


Flash Content
- [mp3]


We did an interview with him as well. That IS coming up soon, I PROMISE.

Interview // Midnight Juggernauts

midnight juggernaut

MJ for IM//UR: "we tried to take a shot in the back of this moving vehical but it was looking a bit depressing so we felt we had to beach it up a bit. "


Bands must always evolve. The Midnight Juggernauts that toured Dystopia are not the same ones that made that Dragonette remix, nor are they the same ones that are about to release new album Crystal Axis. And that's one of the reasons they're one of the few bands born during the Hype Machine era that is still relevant even after taking three years between albums.


Other reasons can be the fact that the band has a strong visual identity, which they've developed further with video collective Krozm. For example, the cover of Crystal Axis, which shows the band jamming around a sculpture, was the initial starting point for the idea for the 'Vital Signs' video - the one with all those dizzily, technologically deformed bodies. And on stage, the trio of nice, hairy Aussies become giants, dominating the crowd simply through their music, which is made with as many synths and drum parts (live kits and electronic ones) as a band of their size can carry around the world...which, nowadays, is as impressive as light shows and huge screens at the back of the stage.


And finally, the most important thing for any artist: they make really good music. Midnight Juggernauts are described and categorised into different genres all the time, from stadium rock to krautock, new french wave to maximal and electro rock. They're always impressing blogs, their fans, critics, others bands and weird combinations of all the above, simply on account of the quality of their music. And from what I saw (yes, Brazil was included this time on their world tour), heard and read (including bits of this interview), people will have to create new genres to describe Crystal Axis, because their music is getting weirder and more complex, but aiming - as odd as it may sound - to make pop music.


At first, songs like 'Vital Signs' and 'This New Technology' might not seem like the best way to express this pop side, as they are developed under layers and layers of synths, bass and furious drums, but look behind that and you'll notice the vocals are given more space to be, and as a result, are better executed. 


This evolution, this development, is strictly connected to the time the band took to make of the new album. Although crucial, time is probably the most overlooked factor for musicians and their music. But as a band who doesn't suffer from a label's pressure - in case you don't know, they are their own label - Midnight Juggernauts gave themselves enough time to experiment, explore and reconstruct until they felt, three years after releasing Dystopia, that the second album was ready.

We talked to Vincent Vendetta about Crystal Axis, Justice, Beyoncé's sister Solange, new bands and B grade horror films as inspiration. We even got a sunny bit of artwork as a gift! Now it's the time to see if a band that are doing things their own way can fly over the dust the hype has stirred up and left behind to make a solid second album. We think we know the answer - it seems like Midnight Juggernauts do too.


Flash Content
- [mp3]

We Have Band vs Solange: To twitter or not to twitter?


OMG! It's Solange!

My favourite iced lollies in the world are Soleros. I always get a flash of a Solero when someone says Solange...But I digress; anyway YES! WE HAVE BAND's music is a million times better than Soler-ange of the House of Dere-ange (I still heart you Beyoncé), as someone commented on Darren's (who looks after Vocals/Drums/Percussion/Sampler in We Have Band) Facebook status earlier today.


WE HAVE BAND have been making waves in the UK and certainly their jam-packed international gig schedule (and how immensely difficult they are to actually pin down for more than fifteen minutes in one city) is some kind of indication that this trio from London are going places. Literally.


The mass musical exodus that occurs in London around this time of the year when all the wanna-bes and gonna-bes head over to the States to do the big Spring pow-wows and the festival circuit is a funny time. A good time for most, a bitter time for others. We Have Band I think, would be having a very good time.


They did SXSW. Apparently, so did Solange - in the observation fashion anyway. And Solange did We Have Band. Well, according to her twitter anyway.


Solange in the We Have Band houuuuuse


Now the biggest question is, as posed by We Have Band on their myspace:

"We have to confess that we're beginning to feel the pressure to twitter. We couldn't really be bothered before but maybe we will.

Should we?"


Twit that shit!
Don't do it!!


And a quick community service annoucement: Even if WE HAVE BAND doesn't twitter, WE HAVE TWITTER (clickety click)!


Flash Content
- [mp3]

Gratuitous Burger Post
This is all so amazing and I'm hungry...
The Superions and an Xmas joke
I missed Schneider during 2000...
MTV CK ONE Brazil // ft Sky Ferreira
HELLO... !!! IZ ANYONE HOME... ?!...
HIYA // Chad Valley
Thanks for letting us know...
HIYA // Chad Valley
great post! big love for hugo I was...