It doesn’t take much to make me feel stupid. Trying to find the words to describe the debut album of Ariel Pink's Haunted Graffiti at 4AD is just one of many examples I could give you. To me, ‘Before Today’ sounds like an album that Kevin Barnes could be recording if he loved goth bands more than funk ones. Or like the cold wave genre entering a multicoloured psychedelic stage instead of glazing at it's own depression. Don’t mind my threadbare examples; this is the album that will make it onto every interesting top 10 of the year and you don’t wanna miss it.
I can't resist (probably overpriced) basics-with-a-twist. My wardrobe, full of T by Wang, Oak, Bassike and yes, American Apparel is proof of this; and since in Australia, a new favourite has emerged in the form of Nathan Smith. His selection of supersoft tees, tanks and dresses have sucked me into buying multiples of a number of styles in different colourways. You just can't go wrong with these though! Addictively and endlessly wearable - and not in actual fact, overpriced in the slightlest - Nathan Smith is the way forward for your wardrobe.
I don’t think any series will treat teenagers the same way that Freaks and Geeks did almost 10 years ago. Although relying on every teen American cliché they could, this series was the closest thing to reality you could get whilst still being something fun and interesting to watch – cause, you know, life is boring. With bands like The Who, The Clash and XTC being either part of episodes or the soundtrack, this 80’s based cult show was short-lived (only 18 episodes), but long enough to enrich the careers of some young actors (i.e. James Franco, Seth Rogen, Jason Segel, Busy Philipps and, erm, Linda Cardellini) and is greatly missed. Can we have a movie about them meeting again in the 00’s?
Once, a friend of mine wanted to take me to this 'cheap Chinese restaurant', situated in the heart of Liberdade, a Japanese neighborhood in São Paulo. When we got there the place was packed, but because it looked cheesy and kinda poor, I didn't want to wait it out. It took another friend for me to go back there and fall in love with it. Now, every time the mood for some freshly made noodles (you can watch the chief making the noodle dough through a window) framed in some horribly painted pink walls takes me, I go for Rong He. Did I mention the food is also incredibly generous and cheap?
The ultimate in peeping tom into other, cooler, more fashionable, richer, quirkier and more-hipster-than-thou lives is Todd Selby's The Selby. Having previously been an internet only voyeur's dream, Todd has just last month released The Selby Is In Your Place, a coffee table tome full of twee drawings, colourful interiors and people showering. Half of the images in the books are favourites from the website and the other is stuff he hasn't published online yet. So go check it out, maybe buy it if you can to make your crappy coffee table in your crappy apartment that little bit cooler with pictures of someone else's cool stuff.
Thursday // July 08, 2010 at 15:38 // filed under Music
The Drums are making up for the time in which they
haven’t released any remixes for their own songs. After that amazing 60s girl
group reinterpretation of ‘Let’s Go Surfing’ done by The Raveonettes, now it’s time for Thieves
Like Us to re-work ‘Forever And Ever Amen’ for the dancefloors; turning it into something more 80s, with disco influences,
synthesizers and brass. Hot!
Monday // February 08, 2010 at 17:15 // filed under Music
Thieves Like Us
If there is
one decade who's influence never ceases, its the 80s. Although sometimes this might
kill any sense of originality from the new reverbers, occasionally there's a
combination of old and new that works flawlessly.
The American/Swedish
trio Thieves Like Us has been on both sides of this game - sometimes you can
hear too much of a resemblence of the band they took their name from (*New Order*,
just in case you didn't know) - but with their new single, 'Never Known Love',
they are definitely on the good side of it.
The song
starts just like any climatic synthpop track from the last twenty years, but when the vocals
kick in, the hairs on the back of your neck start to rise and you'll notice the Johnny
Marr-alike guitars and you feel yourself merging into it's sexy atmosphere and not
wanting to leave.
You can
watch a video below that Andy Grier, the singer, put together. Apparently he used
some Russian movie about a circus and don't ask me how, but it works very well
with 'Never Known Love'. Great comeback!
Wednesday // June 24, 2009 at 22:08 // filed under Music
If you ask me, I have no idea what's meant to be going on with the
career of the band Thieves Like Us.
I think I've had their album (which I'm not sure is an official one) since 07,
but I keep seeing them releasing the same songs over and over again. This is
one of the cases - but at least it's not a re-re-release of their biggest hit 'Drugs
in my Body'.
Really Like to See You
Again, the EP, features four tracks - including the homonym song and a
different version for 'Desire' - and it expands on their journey through their
Manchester '80/90s sound. 'Really Like
to See You Again', the song, played with warm synthetic lines, a strong sad bass line
and a cold dead vocal. It might me be the missing link in the Joy Division/New
Order evolution. 'American Skies' gets groovy in the most dated way
possible, and this is not a criticism. While the new version of 'Desire' makes it
much more interesting, the ever 'released' 'To Joy' shows that they've evolved a lot
since that.
And I think this evolution is expressed in all its colors in
this superb remix for Miss Kittin and
The Hacker's 'Party in My Head'. If the original is one of those minimalism
techno songs that I love to ignore, the remix surprisingly paints it with disco
lines in one of the best of the year.
And as it wouldn't be Thieves Like Us without mentioning 'Drugs
in My Body' this France based band (two members are from Sweden and the singer
is American) asked the French trio The
Teenagers to lay their hands on their little gem and the result has a weird
drum'n'bass taste. It feels like the band played with all the samples that they have at the moment. Not great,
but quite acceptable.